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The Social History of Smoking

George Latimer Apperson

Chapter 10:

Lady Ritchie, in "Tennyson and his Friends," says: "I can remember vaguely, on one occasion through a cloud of smoke, looking across a darkening room at the noble, grave head of the Poet Laureate. He was sitting with my Father in the twilight after some family meal in the old house in Kensington." Thackeray was a cigar-smoker, but Tennyson was a devotee of the pipe. It was on this occasion, as the poet himself reminded Thackeray's daughter, that while the novelist was speaking, Lady Ritchie's little sister "looked up suddenly from the book over which she had been absorbed, saying in her sweet childish voice, 'Papa, why do you not write books like 'Nicholas Nickleby'?'"

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The Social History of Smoking

George Latimer Apperson

Chapter 2:

It chaunc'd me gazing at the Theater,
To spie a Lock-Tabacco Chevalier
Clowding the loathing ayr with foggie fume
Of Dock Tobacco friendly foe to rhume—

says a versifier of 1599, who did not like smoking in the theatre and so abused the quality of the tobacco smoked—though admitting its medicinal virtue. Dekker suggests, probably with truth, that one reason why the young gallant liked to push his way to a stool on the stage, notwithstanding "the mewes and hisses of the opposed rascality"—the "mewes" must have been the squeals or whistles produced by the instrument which was later known as a cat-call—was the opportunity such a prominent position afforded for the display of "the best and most essential parts of a gallant—good cloathes, a proportionable legge, white hand, the Persian lock, and a tolerable beard." Apparently, too, serving-boys were within call, and thus lights could easily be obtained, which were handed to one another by the smokers on the points of their swords.

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